Il Trovatore (G. Verdi)

Bregenzer Festspielen Austria

Stets klanglich prasent die Alt-Ausstrahlung von Patricia Patelmo (Azucena), mit blitzsauberen koloraturen fur Szenenapplaus sorgend.

Baldreich 05/08/2005

Patrizia Patelmo (Azucena) sang und spielte die enormschwierige Patie mit vollem Einsatz, so gekonnt, wie es selten zu erleben ist.

Vonbun 01/08/2005

Stimmgestaltung. Patrizia Patelmo (Azucena) sang und spielte die enorm schwierige Partie mit vollem Einsatz, so gekonnt, wie es selten zu erleben ist.

Ein Bericht von Midou Grossmann  

Il Trovatore (G. Verdi)

Connecticut Opera Hartford

Backing up Ms. Daltirus’ Leonora, was the evocative and distinctive voice of mezzo-soprano Patrizia Patelmo as the tortured Azucena. Ms. Patelmo’s Act II lament of her mother’sfirey execution and of the terrible deed of inadvertently casting her own baby into the flames, like an all-consuming firestorm itself, simply drew the air from the Bushnell and left the audience breathless. Her performance was glorious, rich, nuanced and appealingly humane. Brava!

OperaOnline.us Worldwide reviews for a worldwide audience

OCTOBER 1, 2005 

 Il Trovatore (G. Verdi)

Opernfestspiele Heidenheim Germania 

“… Verdi ist einer der wenigen Meister bedeutender Mezzosopran-Rollen. Mit Patrizia Patelmo als Azucena wurde eine Vollblutitalienerin prasantiert, die mit  Abstand am meistn beeindruckte:eine Zigeunerin par excellence!...”

Rems Zeitung 07/07/2003 

Aida (G. Verdi)

Connecticut Opera Hartford 

the velvety "mezzo" of "Patrizia Patelmo" as "Amneris" served as splendid foil to "Daltirus". a wonderful intensity colored he portrayal, especially in the final act, when he character changes before your eyes from a manipulative brat to the opera's conscience.

Da The Hartford courant 16/10/2004 

And what can one say about mezzo-soprano Patrizia Patelmo’s performance as Amneris? One can say plenty: inspired, powerful, deeply emotional and flawless. Patelmo’s arias were breathtaking and her delivery was sure and even throughout. She moves well about the stage and, like Daltirus, shows a level of depth needed for these more dramatic roles. It was her Connecticut Opera debut, and one can only hope it is not an infrequent happening.

OperaOnline.us Worldwide reviews for a worldwide audience

OCTOBER 16, 2004 

Aida (G. Verdi)

Heidenheim Germania 

Auch die dritte Hauptrolle, Amneris, war mit einer hervorragenden Patrizia Patelmo bestens besetzt. Der brillante Glanz ihres Mezzosoprans fugte sich sehr schon zum timbre der rivalin Aida. Ihre prompt reagierende, stets modulierbare stimme erstaunte. Patelmo Szene im vierten Akt gelang dramatisch ergreifend. Denn die ranger taten auch mimisch und gestisch alles, um uber den verlust der rittersaal-Atmosphare hinwegzutrosten.”

StadtZeitung 09/07/2000 

Un Ballo in Maschera (G. Verdi)

Florida  Grand  Opera Miami

  “… Mencion aparte merece Patrizia Patelmo, quien en el formidable papel de Ulrica la palmista se gano largas andanadas de aplausos.”

El nuevo Herald 03/03/2005

 the witch, "Ulrica" who predicts the king's death, was finely drawn by "mezzo", "Patrizia Patelmo" from Italy.  The voice    has a sound all its own, harsh, metallic, strong and strangely interesting its "sinister" quality. I liked her characterization.

Da Coral Gables Gazette 05/05/2005 

Don Carlo

Opernfestspiele Heidenheim Germania 

“Ausserordentlich bemerkenswert ist auch Mezzosopranistin Patrizia Patelmo: sie agirete als Eboli mit Zauber-Timbre und echtem Spiel-talent umso bedauerlicher, dass der Schleiertanz dem Rotstift zum   Opfer fiel.”

Heidenheimer Neue Presse      09/07/2001 

Messa di Requiem (G. Verdi)

Busseto 

“…Patrizia Patelmo, il mezzosoprano, è la voce che ha maggiore congenialità per il requiem verdiano; la sua è una voce capace di una grande tensione e di momenti alti, soprattutto in certe parole e note del registro medio-acuto, che suonano come rivelazioni affascinanti. Applausi immaginabili…”

da Il Giorno 27/08/1997 

“… la mezzosoprano Patrizia Patelmo che con il Lacrimosa, rappresenta uno dei brani più riusciti, soprattutto per il notevole equilibrio raggiunto tra soli e coro…”

da La Libertà 24/08/1997 

“…ci ha fortemente impressionato il mezzosoprano Patrizia =Patelmo voce immensa e ben educata…”

da Gazzetta di Reggio Emilia 30/08/1997

Falstaff (G. Verdi)

Teatro Grande di Brescia 

“…del cast vocale le donne a nostro avviso hanno superato in bravura gli uomini, a partire da Patrizia Patelmo che è stata una Quickly frizzante e sferzante con voce piena…”

da Brescia Oggi 17/10/1997